The world of audio equipment is filled with options. There are more models, brands, and choices within each available category than ever before. Of course, this can make it tough for beginners to figure out what they need to buy. With that in mind, here are some things you should consider when buying Steinberg audio interface systems :
- I/O Configuration
This refers to how many inputs/outputs your interface has. A common configuration will combine an input (for recording) with one or more outputs (listening back or sending the signal elsewhere). Some users may also need two separate inputs for microphone and instrument signals, where sub configurations like “5 x 2” come into play. If you’re just doing voiceover work, a 2 x 2 configuration may be all you need. If this doesn’t sound right to you yet, stay tuned for the next section. - Connectivity Options
This concerns what type of I/O your interface has and how it’s connected to your computer. In most cases, an audio interface will have USB or Firewire ports that connect directly into where your computer’s ports are. Some models feature expansion cards that fit into your computer’s PCI slot, which is often necessary if you’re building out a pro studio rack. Analog inputs and outputs can also be beneficial because they don’t require any special drivers to function (their main downside being lower resolution and additional noise). Look at the input/output options for each interface you consider to make sure they meet your needs. - Audio Resolution
This refers to how much data is transmitted by each signal, typically expressed as bit depth and sampling rate. While analog audio systems can work with 24-bit signals, digital interfaces are capped at this specification because it’s the limit of their internal converters. 24-bit resolution provides more headroom for recording dynamic sources like vocals or guitars. However, there are other pro reasons why it may be beneficial (as explained here). The main advantage of 96kHz/24-bit playback is handling high frequencies above what humans can hear without introducing noise. However, some users may prefer 48kHz/24-bit because it saves hard drive space and reduces CPU usage slightly. - DAW Compatibility
The majority of audio interfaces on the market today are compatible with most major digital audio workstation (DAW) software, including Cubase, Logic Pro, and Pro Tools. If you’re wondering if an interface is compatible with your specific DAW, read over their product page and user manual to see what formats they support and how to use them. Steinberg’s website also has a helpful compatibility tool that tells you which products will work with your PC or Mac out of the box. - Other Considerations
This includes the number of channels you’ll need, which audio inputs and outputs your interface should have, and whether or not it has MIDI I/O. Many interfaces come with onboard DSP (digital signal processing), used to process effects like reverb or amp modeling. If you’re unsure if this is something you need, we recommend that you first read up on how these processors work and then see if they make sense for your studio setup.
In conclusion, Steinberg audio interface systems come in various sizes and configurations. Still, they all share the same core purpose: to provide you with high-quality tools for recording and playback. If you take your time when shopping around, you should find an appropriate model that meets your needs without blowing your budget.
